Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Jjean-Marc nattier
The Artist and his Family

ID: 26905

Jjean-Marc nattier The Artist and his Family
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Jjean-Marc nattier The Artist and his Family


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Jjean-Marc nattier

French Rococo Era Painter, 1685-1766  Related Paintings of Jjean-Marc nattier :. | Thalia, Muse of Comedy | The Marquise de Vintimille as Aurora, Pauline Felicite de Mailly-Nesle | Portrait of Baronne Rigoley d'Ogny as Aurora, | Princess Louise-elisabeth of France - The Earth | Portrait of Jeanne Louise de Lorraine, Mademoiselle de Lambesc (1711-1772) and her brother Louis de Lorraine, Count then Prince of Brionne |
Related Artists:
Morphy, Garret
Irish, Active 1676-1716
MICHELE PANNONIO
Hungarian Early Renaissance Painter, ca.1400-1464 Painter, active in Italy. He was one of the most important painters at the court of Ferrara in the mid-15th century and contributed to the creation of an indigenous Ferrarese style of painting. Most of his works have been destroyed. He may have been born in Hungary, as his name implies. There are parallels between his style and that of contemporary painters working in Hungary, but nothing is known of his early career. The suggestion that he can be identified with a Michele dai Unii, paid in 1415 for painting a standard for Leonello d'Este,
Johan Thorn Prikker
1868-1932 Dutch Johan Thorn Prikker Gallery Dutch painter, printmaker, mosaicist and stained-glass artist. He attended the Koninklijke Academie van Beeldende Kunsten in The Hague (1881-8). During this period he painted mainly landscapes in the style of The Hague school. Until c. 1896 he produced Symbolist works, in which the emphatic line flow and the subtle colour shading are especially noticeable, for example The Bride (1893; Otterlo, Kr?ller-M?ller). From 1892 until 1897 he corresponded with Henri Borel, partly about his Symbolist work, often drawing in the letters. During this time he came into close contact with Belgian artists, in particular with Henry Van de Velde through whom he was able to exhibit with Les XX in Brussels. In summer he regularly stayed in Vise, where he produced pastel drawings in a rhythmic pointillism, a style with which he could achieve a form of abstraction.






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